{"product_id":"9780470435496","title":"Philosophy of Literature \u0026 Philosophy of Film and Motion Pictures, 2 Book Set","description":"\u003ch1\u003ePhilosophy of Literature \u0026amp; Philosophy of Film and Motion Pictures, 2 Book Set\u003c\/h1\u003e\u003ch3\u003eEileen John | Dominic McIver Lopes | Noël Carroll | Jinhee Choi\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePhilosophy \/ Social\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePack includes 2 titles from the popular \u003ci\u003eBlackwell Philosophy Anthologies Series\u003c\/i\u003e:\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003e\u003cb\u003ePhilosophy of Literature\u003c\/b\u003e: Contemporary and Classic Readings - An Anthology\u003cbr\u003e\u003c\/i\u003eEdited by Eileen John and Dominic McIver Lopes\u003cbr\u003eISBN: 9781405112086\u003c\/p\u003e \u003cp\u003eEssential readings in the philosophy of literature are brought together for the first time in this anthology.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eContains forty-five substantial and carefully chosen essays and extracts\u003c\/li\u003e \u003cli\u003eProvides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, interpretation, metaphor, literary value, and the definition and ontology of literature\u003c\/li\u003e \u003cli\u003eIncludes an additional historical section featuring generous selections of the writings of early pioneers such as Plato, Aristotle, Nietzsche, and Hume\u003c\/li\u003e \u003cli\u003eServes as an ideal introduction to the philosophy of literature or the philosophy of art, as well as a handy compilation of contributions to the field by its leading figures\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003ci\u003e\u003cb\u003ePhilosophy of Film and Motion Pictures\u003c\/b\u003e: An Anthology\u003cbr\u003e\u003c\/i\u003eEdited by Noël Carroll and Jinhee Choi\u003cbr\u003eISBN: 9781405120272\u003c\/p\u003e \u003cp\u003eDesigned for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory\u003c\/li\u003e \u003cli\u003eEight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality\u003c\/li\u003e \u003cli\u003eIssues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography\u003c\/li\u003e \u003cli\u003eReplete with examples and discussion of moving pictures throughout\u003c\/li\u003e \u003c\/ul\u003e\n\u003c\/div\u003e\u003cdiv\u003e  \u003ci\u003eThe Philosophy of Literature:\u003c\/i\u003e  \u003cp\u003e\u003cb\u003eEileen John\u003c\/b\u003e is Associate Professor of Philosophy at the University of Louisville, specializing in aesthetics and philosophy of literature. Her essays have appeared in the \u003ci\u003eJournal of Aesthetics and Art Criticism\u003c\/i\u003e, \u003ci\u003ePhilosophy and Literature\u003c\/i\u003e, and \u003ci\u003eThe Henry James Review\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDominic McIver Lopes\u003c\/b\u003e is Associate Professor of Philosophy at the University of British Columbia. He is the author of \u003ci\u003eUnderstanding Pictures\u003c\/i\u003e (1996) and co-editor of the \u003ci\u003eRoutledge Companion to Aesthetics\u003c\/i\u003e (2000) and \u003ci\u003eImagination, Philosophy, and the Arts\u003c\/i\u003e (2003). He is also co-editor, with Berys Gaut, of the Blackwell series \u003ci\u003eNew Directions in Aesthetics\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e\u003ci\u003ePhilosophy of Film and Motion Pictures\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eNoël Carroll\u003c\/b\u003e is the Mellon Professor of the Humanities at Temple University and the author of \u003ci\u003eBeyond Aesthetics\u003c\/i\u003e (2001), \u003ci\u003eA Philosophy of Mass Art\u003c\/i\u003e (1999), and \u003ci\u003eInterpreting the Moving Image\u003c\/i\u003e (1998).\u003c\/p\u003e \u003cp\u003e\u003cb\u003eJinhee Choi\u003c\/b\u003e is Assistant Professor of Film Studies at Carleton University. Her work has appeared in the \u003ci\u003eJournal of Aesthetics and Art Criticism\u003c\/i\u003e and \u003ci\u003eThe British Journal of Aesthetics.\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e04 August 2008\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eWiley\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eWiley-Blackwell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9780470435496\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback \/ softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e826\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e46.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":44380022407308,"sku":"9780470435496","price":113.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9780470435496_947e5cfe-2690-4f26-8229-6afe07de692b.jpg?v=1780175892","url":"https:\/\/lateknightbooks.com\/products\/9780470435496","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}