{"product_id":"9781041039099","title":"Streaming Factories Laboring Across Borders","description":"\u003ch1\u003eStreaming Factories\u003c\/h1\u003e\u003ch2\u003eLaboring Across Borders\u003c\/h2\u003e\u003ch3\u003eDenise Mann\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eSocial Science \/ Media Studies\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003eThis edited collection examines the creative labor impact of the evolving media globalization strategies used by several of the major US subscription video-on-demand (SVOD) services: Netflix, Amazon Prime Video, Disney+, HBO Max, and Peacock.\u003c\/p\u003e\n\u003cp\u003eUsing the highly integrated fields of critical media industry studies, production studies, platform studies, and cultural studies, this collection explores the interplay between 21st-century tech and media corporations, and domestic and international production cultures. The first half of the collection examines US SVODs’ varied efforts to manage transcultural production frictions in overseas markets by encouraging production side cultural hybridity, implementing physical enclosures, and filming overseas. The second half of the collection focuses on a major shift underway as several of the leading SVODs introduce surveillance-driven advertising technologies to disrupt the digital advertising space by monetizing consumer engagement with story-driven, metaverse-like, direct-to-consumer (D2C) digital enclosures. Featuring contributions from top scholars worldwide, the chapters cover a range of global markets, including Hungary, Poland, Italy, Japan, Korea, Indonesia\u003cb\u003e, \u003c\/b\u003eThailand\u003cb\u003e, \u003c\/b\u003ethe Philippines, South Africa, and Kenya.\u003c\/p\u003e\n\u003cp\u003eThis book is key reading for students, scholars, and researchers of media and screen industries, as well as practitioners interested in learning more about the strategies used by US SVODs to infiltrate the global marketplace.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eDenise Mann\u003c\/b\u003e is Professor in the Cinema and Media Studies program in the School of Theater, Film, and Television at UCLA. Mann specializes in the fields of media industry studies, production studies, audience studies, and television studies. She is the editor of \u003ci\u003eWired TV: Laboring Over an Interactive Future\u003c\/i\u003e (2014), co-editor of \u003ci\u003ePrivate Screenings: Television and the Female Consumer\u003c\/i\u003e (1992), and the author of \u003ci\u003eHollywood Independents: The Postwar Talent Takeover\u003c\/i\u003e (2008).\u003c\/p\u003e\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e03 December 2026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eTaylor \u0026amp; Francis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eRoutledge\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781041039099\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e368\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":63534137540748,"sku":"9781041039099","price":210.59,"currency_code":"USD","in_stock":true}],"url":"https:\/\/lateknightbooks.com\/products\/9781041039099","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}