{"product_id":"9781138676305","title":"Routledge Handbook of Museums, Media and Communication","description":"\u003ch3\u003eRoutledge International Handbooks\u003c\/h3\u003e\u003ch1\u003eRoutledge Handbook of Museums, Media and Communication\u003c\/h1\u003e\u003ch3\u003eKirsten Drotner | Vince Dziekan | Ross Parry | Kim Christian Schrøder\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eArt \/ Museum Studies\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003eMuseums today find themselves within a mediatised society, where everyday life is conducted in a data-full and technology-rich context. In fact, museums are themselves mediatised: they present a uniquely media-centred environment, in which communicative media is a constitutive property of their organisation and of the visitor experience. \u003ci\u003eThe Routledge Handbook of Museums, Media and Communication \u003c\/i\u003eexplores what it means to take mediated communication as a key concept for museum studies and as a sensitising lens for media-related museum practice on the ground.\u003c\/p\u003e\n\u003cp\u003eIncluding contributions from experts around the world, this original and innovative Handbook shares a nuanced and precise understanding of media, media concepts and media terminology, rehearsing new locations for writing on museum media and giving voice to new subject alignments. As a whole, the volume breaks new ground by reframing mediated museum communication as a resource for an inclusive understanding of current museum developments.\u003c\/p\u003e\n\u003cp\u003eThe Routledge Handbook of Museums, Media and Communication will appeal to both students and scholars, as well as to practitioners involved in the visioning, design and delivery of mediated communication in the museum. It teaches us not just how to study museums, but how to go about being a museum in today’s world. \u003c\/p\u003e\n\u003cp\u003eThe book is available for free in PDF format as Open Access at www.taylorfrancis.com. It has been made available under a a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eKirsten Drotner \u003c\/b\u003eis Professor of Media Studies in the Department for the Study of Culture at the University of Southern Denmark and founding director of the research programmes Our Museum and DREAM. Author or editor of 30 books, her research interests include media history, media and information literacies, digital creativities, and museum communication. Her most recent book is \u003ci\u003eMuseum Communication and Social Media: The Connected Museum \u003c\/i\u003e(co-edited, Routledge, 2013).\u003c\/p\u003e\n\u003cp\u003eVince Dziekan is a Senior Academic and Practitioner-Researcher at Monash Art Design \u0026amp; Architecture (MADA), Monash University, Australia, whose work engages in an interdisciplinary way with the transformation of contemporary curatorial practices at the intersection of design, creative technology and museum culture. He is the author of \u003ci\u003eVirtuality and the Art of Exhibition \u003c\/i\u003e(2012); associate editor of \u003ci\u003eCurator: The Museum Journal\u003c\/i\u003e; and curator of \u003ci\u003eMWX\u003c\/i\u003e, the exhibition initiative of Museums and the Web. \u003c\/p\u003e\n\u003cp\u003eRoss Parry is Professor of Museum Studies at the University of Leicester, United Kingdom. A Principal Fellow of the Higher Education Academy, he has been a Tate Research Fellow, Chair of the Museums Computer Group, and is one of the founding Trustees of the Jodi Mattes Trust – for accessible digital culture. His works include \u003ci\u003eRecoding the Museum: Digital Heritage and the Technologies of Change \u003c\/i\u003e(Routledge, 2007), \u003ci\u003eMuseums in a Digital Age \u003c\/i\u003e(editor, Routledge, 2009).\u003c\/p\u003e\n\u003cp\u003eKim Christian Schrøder is Professor of Communication at the Department of Communication and Arts, Roskilde University, Denmark. His books in English include \u003ci\u003eAudience Transformations: Shifting Audience Positions in Late Modernity \u003c\/i\u003e(co-edited, 2014), \u003ci\u003eMuseum Communication and Social Media: The Connected Museum \u003c\/i\u003e(co-edited 2013), and \u003ci\u003eResearching Audiences \u003c\/i\u003e(co-authored, 2003). His research interests comprise the analysis of audience uses and experiences of media. His recent work explores mixed methods for mapping news consumption.\u003c\/p\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e09 November 2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eTaylor \u0026amp; Francis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eRoutledge\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781138676305\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e358\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e33.25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":63540146929804,"sku":"9781138676305","price":315.0,"currency_code":"USD","in_stock":true}],"url":"https:\/\/lateknightbooks.com\/products\/9781138676305","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}