{"product_id":"9781350370661","title":"Radical Embodiment on Film Time and the Cinematic Body","description":"\u003ch1\u003eRadical Embodiment on Film\u003c\/h1\u003e\u003ch2\u003eTime and the Cinematic Body\u003c\/h2\u003e\u003ch3\u003eLouis Bayman | Davina Quinlivan\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePerforming Arts \/ Film \/ General\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003eThis innovative volume demonstrates the embodiment of time to be a vital part of the aesthetic experience of cinema. Analysing a broad range of films including \u003ci\u003eBeasts of the Southern Wild \u003c\/i\u003e(USA, 2012), \u003ci\u003eTalk to Her\u003c\/i\u003e (Spain, 2002)\u003ci\u003e, Millennium Actress \u003c\/i\u003e(Japan, 2001)\u003ci\u003e, Jab Tak Hai Jaan \u003c\/i\u003e(India, 2012),\u003ci\u003e and Jinpa \u003c\/i\u003e(China, 2018), contributors examine key questions of embodied time as represented on screen. They explore how cinematic time can be a way of rethinking the centrality of the individual, of depicting gendered differences, of decentring western perspectives to represent a widened global context, and of expanding what embodiment means in post-human narratives. The volume not only highlights specific discourses of radical, lived experience in film, but also considers how distinctions of race and class, gender and sexuality, migration, religion, and indigeneity affect these depictions of embodied subjectivity.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eContributors: \u003c\/b\u003e\u003cbr\u003eEmma Ben Ayoun, Louis Bayman, Andrés Buesa, Mariana Cunha, MaoHui Deng, Felipe Espinoza Garrido, Victor Fan, Sahika Erkonan, Joseph Jenner, Nick Jones, Kayla Meyers, Salma Monani, Davina Quinlivan, Francesca Sobande and Pinar Yildiz\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eLouis Bayman \u003c\/b\u003eis Associate Professor of Film Studies at the University of Southampton, UK. He is author of \u003ci\u003eThe Operatic and the Everyday in Postwar Italian Film Melodrama\u003c\/i\u003e (2014) and co-editor of Folk Horror on Film: Return of the British Repressed (2023).\u003cbr\u003e\u003cb\u003e\u003cbr\u003eDavina Quinlivan\u003c\/b\u003e is a researcher, writer and curator, currently teaching at the University of Exeter, UK. She is author of \u003ci\u003eShalimar: A Story of Place and Migration\u003c\/i\u003e (2022) and \u003ci\u003eFilming the Body in Crisis: Trauma, Healing and Hopefulness\u003c\/i\u003e (2015).\u003c\/p\u003e\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e19 August 2027\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781350370661\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e232\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":55552926908556,"sku":"9781350370661","price":35.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_a3017258-bcba-4859-a33c-c95f97c9ec12.jpg?v=1788313465","url":"https:\/\/lateknightbooks.com\/products\/9781350370661","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}