Discover the intricate interplay between Bomba fashions, identity, and resistance by exploring how Puerto Rican Bomba practitioners, or Bomberos, embody and negotiate their identities through traditional attire.

Puerto Rican Bomba Fashion explores the consumption, production, and regulation of Bomba dress, emphasizing how these practices intersect with notions of authenticity and cultural significance. By engaging with 16 dedicated Bomba practitioners who have actively participated in performances throughout their lives, Ortiz-Pellot and Reddy-Best explore the multi-faceted nature of Puerto Rican identity.

The study highlights the role of Bomba as a significant reflection of Puerto Rican culture and history, credited to the contributions of Spanish, Indigenous, and African cultures. Ortiz-Pellot and Reddy-Best also emphasize the importance of traditions passed down through family interactions, music, and dance. There's also discussion of the evolution of Bomba attire from traditional to contemporary forms, its varying cultural and personal significance among practitioners and the diversity of Bomba styles across different regions. Ultimately, Puerto Rican Bomba Fashion offers a nuanced understanding of how Bomba serves as a dynamic medium for cultural expression and identity negotiation, fostering a deeper appreciation for the complex interplay of tradition, innovation, and personal agency within this vibrant cultural community.

Amanda Ortiz-Pellot completed her MS degree in Apparel, Merchandising, and Design at Iowa State University, USA. During her graduate degree she held the Agatha Huepenbecker Graduate Research Assistantship in the ISU Textiles and Clothing Museum where she helped curate two exhibitions.

Kelly L. Reddy-Best is a Professor in Fashion Design and Merchandising and Chair of Family and Consumer Sciences at Illinois State University, USA. In her research she examines the interrelationships of dress, identity, consumption, regulation, and the fashion system through a social justice lens.