{"product_id":"9781441114679","title":"Sound, Music, Affect Theorizing Sonic Experience","description":"\u003ch1\u003eSound, Music, Affect\u003c\/h1\u003e\u003ch2\u003eTheorizing Sonic Experience\u003c\/h2\u003e\u003ch3\u003eMarie Thompson | Ian Biddle\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eMusic \/ Genres \u0026amp; Styles \/ General\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003e\u003ci\u003eSound, Music, Affect\u003c\/i\u003e features brand new essays that bring together the burgeoning developments in sound studies and affect studies. \u003cbr\u003e\u003cbr\u003eThe first section sets out key methodological and theoretical concerns, focussing on the relationships between affective models and sound. The second section deals with particular musical case studies, exploring how reference to affect theory might change or reshape some of the ways we are able to make sense of musical materials. The third section examines the politics and practice of sonic disruption: from the notion of noise as 'prophecy', to the appropriation of 'bad vibes' for pleasurable aesthetic and affective experiences. And the final section engages with some of the ways in which affect can help us understand the politics of chill, relaxation and intimacy as sonic encounters. \u003cbr\u003e\u003cbr\u003eThe result is a rich and multifaceted consideration of sound, music and the affective, from scholars with backgrounds in cultural theory, history, literary studies, media studies, architecture, philosophy and musicology.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eMarie Thompson\u003c\/b\u003e is a PhD candidate at Newcastle University, UK, based jointly in ICMUS and Culture Lab. Her research interests lie primarily with avant-garde and experimental musics. She regularly performs solo as Tragic Cabaret, in the duo Ghostly Porters, and as part of Newcastle's audiovisual collective, Kira Kira.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIan Biddle\u003c\/b\u003e is senior lecturer and Head of Postgraduate Studies in Music at Newcastle University, UK. He is co-founder and co-ordinating editor (with Richard Middleton) of the journal \u003ci\u003eRadical Musicology\u003c\/i\u003eand the author of\u003ci\u003e Music, Masculinity and the Claims of History \u003c\/i\u003e(2011).\u003c\/p\u003e\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e28 February 2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781441114679\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e12.64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":51331531964556,"sku":"9781441114679","price":42.26,"currency_code":"USD","in_stock":true}],"url":"https:\/\/lateknightbooks.com\/products\/9781441114679","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}