Shakespeare Behind Barbed Wire reconstructs the first Shakespeare production of As You Like It in 1915 as a window on the camp theatre, its day-to-day practices, its directors, and their artistic views, as well as the divergent tastes of the audiences. The premiere of As You Like It started a theatre war bringing to the fore the internees’ deepest ambitions and frustrations, but the men’s differences did not affect the success of their Shakespeare Tercentenary festival in 1916. The men now displayed a great sense of unity, but as Hoenselaars argues, this attractive image fashioned by the sources should be recognized as part of a complex bilateral propaganda campaign. Exhaustively drawing on formal camp archives, the internees’ diaries, their letters and creative writing, as well as the Ruhleben story that was fashioned in the camp’s numerous magazines and in the press worldwide, Shakespeare Behind Barbed Wire for the first time reconstructs the profoundly individual side to Ruhleben’s Shakespearean culture in both its local and global contexts, and grants the internees a unique voice that had remained silent for over a century.