This book examines how Portuguese women writers narrate the traumatic impact of decolonisation and the Colonial War through autofictional form. Focusing on works by Lídia Jorge, Isabela Figueiredo, and Dulce Maria Cardoso, the book argues that autofiction provides a formally elastic mode through which traumatic experiences that resist linear narration can be articulated without requiring full emotional exposure or testimonial transparency. As the first academic monograph devoted to Portuguese autofiction, the study examines how the selected works use textual and visual strategies—including fragmentation, narrative distance, photography, and linguistic constraint—to represent the unresolved legacies of empire. The book develops the concept of autofictional self-camouflage, theorised as a strategy that regulates authorial exposure and vulnerability while enabling sustained engagement with complex and contested colonial histories. Organised into two parts—Narrating the Self and Narrating Others—it traces how trauma is mediated unevenly across gendered, racialised, and familial relations shaped by colonial power. In doing so, the book situates Portuguese women’s trauma autofiction at the intersection of memory, form, and post-imperial critique, demonstrating how literary experimentation can make traumatic histories narratable and available for recognition without imposing resolution, recovery, or closure.

Olivia Glaze is a Fellow at Robinson College, University of Cambridge, UK. She holds a DPhil in Modern and Medieval Languages from the University of Oxford and has held postdoctoral positions at the University of Exeter and the Institute of Languages, Cultures and Societies, University of London, funded by the Arts and Humanities Research Council and the Modern Humanities Research Association. Her research focuses on contemporary Portuguese literature and visual cultures, autofiction, and the cultural memory of empire, and she has held visiting fellowships across the UK and Germany.