{"product_id":"9789048573189","title":"Archivism and Appropriation in Post-Yugoslav Cinema","description":"\u003ch3\u003eEastern European Screen Cultures\u003c\/h3\u003e\u003ch1\u003eArchivism and Appropriation in Post-Yugoslav Cinema\u003c\/h1\u003e\u003ch3\u003eNikola Radic | Nace Zavrl\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eHistory \/ Europe \/ Eastern\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003e\u003ci\u003eArchivism and Appropriation in Post-Yugoslav Cinema\u003c\/i\u003e examines post-Yugoslav cinema through the lens of archivism and appropriation, revealing how filmmakers reclaim found footage to confront history, memory, and post-truth politics in Southeastern Europe.\u003c\/p\u003e\n\u003cp\u003eChapters in this book treat archives as contested institutions rather than neutral databases, drawing on Film Studies, Comparative Literature, Architecture, and professional filmmaking and archiving. Readers will gain a multidisciplinary framework for understanding why post-Yugoslav filmmakers, such as Marko Grba Singh, Srđan Keča, and Kumjana Novakova, have embraced archival excavation since 1991. Additionally, the book equips readers to connect aesthetic choices to historical revisionism and ideological struggle. It also argues that post-Yugoslav image-making is key to understanding the archive in the 21st century more broadly.\u003c\/p\u003e\n\u003cp\u003eThis book will be of interest to scholars and advanced students of Film Studies, Media Studies, and Southeastern European or postsocialist cultural studies, especially those researching archival theory, appropriation, or documentary practice. It will also appeal to filmmakers, archivists, and curators working with found footage, as well as instructors building courses on postsocialist cinema or Balkan studies, and libraries supporting film and area studies programs.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eNikola Radić\u003c\/b\u003e is a PhD candidate at the Film Studies Department, University of Zurich, Switzerland. His research includes the project \u003ci\u003eParanational Cinema - Legacies and Practices\u003c\/i\u003e (UZH).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNace Zavrl\u003c\/b\u003e is Mellon Postdoctoral Fellow in World Cinema at Williams College, USA, researching experimental and documentary film in Eastern Europe, especially the former Yugoslavia. He works as a Curatorial Assistant at the Harvard Film Archive and is Managing Editor of the journal \u003ci\u003eSenses of Cinema\u003c\/i\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e01 April 2027\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eTaylor \u0026amp; Francis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eRoutledge\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9789048573189\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e272\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":63762291687564,"sku":"9789048573189","price":210.59,"currency_code":"USD","in_stock":true}],"url":"https:\/\/lateknightbooks.com\/products\/9789048573189","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}