{"product_id":"9798765110089","title":"Little Women (2019) Movies Minute by Minute","description":"\u003ch3\u003eTimecodes\u003c\/h3\u003e\u003ch1\u003eLittle Women (2019)\u003c\/h1\u003e\u003ch2\u003eMovies Minute by Minute\u003c\/h2\u003e\u003ch3\u003eNadine Boljkovac | Nadine Boljkovac\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eSocial Science \/ Media Studies\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eA minute-by-minute analysis of Greta Gerwig's \u003ci\u003eLittle Women.\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBlending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits. \u003cbr\u003e\u003cbr\u003eIn 1868, Louisa May Alcott published the literary masterpiece, \u003ci\u003eLittle Women\u003c\/i\u003e. Written in a heartfelt style that combines the Timecodes series' dedication to close analysis alongside theoretical, cultural, social and personal reflection, Boljkovac intimately and thoroughly reveals how Alcott's book and most recent screen adaptation, directed by Greta Gerwig (2019), is more than just a classic literary story. Gerwig's \u003ci\u003eLittle Women \u003c\/i\u003ereleases – for the first time onscreen – Jo's potential and the feminist queer resistance latent in the novel. This book furthers the momentum of the 2019 film in embracing Alcott's 21st century thought. Eschewing theories of (auto-)biography, Boljkovac advances, via Gerwig, instances of feminist moving image (self-)portraiture that celebrate open-ended possibilities for women of any time.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003eNadine Boljkovac is Assistant Professor at the University of Colorado, Colorado Springs, USA. She is the author of \u003ci\u003eLittle Women \u003c\/i\u003e(2019) (Bloomsbury, forthcoming) and \u003ci\u003eUntimely Affects: Gilles Deleuze and an Ethics of Cinema\u003c\/i\u003e (2013; 2015), examining Alain Resnais's \u0026amp; Chris Marker's works. Writing appears in \u003ci\u003eCamera Obscura\u003c\/i\u003e; \u003ci\u003eCineaste\u003c\/i\u003e; \u003ci\u003eThe Anthem Handbook of Screen Theory\u003c\/i\u003e; \u003ci\u003eThe Sustainable Legacy of Agnès Varda\u003c\/i\u003e;\u003ci\u003e Studies in European Cinema\u003c\/i\u003e; \u003ci\u003eScreening the Past\u003c\/i\u003e; \u003ci\u003eGilles Deleuze: Image and Text\u003c\/i\u003e, and others.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e23 December 2027\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9798765110089\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e176\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":57327230451852,"sku":"9798765110089","price":72.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_baa5c91f-7ea6-4317-861c-1b76042bae0c.jpg?v=1790902264","url":"https:\/\/lateknightbooks.com\/products\/9798765110089","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}