Challenging the Canon: Women's Voices in Interwar Central and Eastern European Film explores the contributions of "lesser known" women in the cinema industries of east-central, eastern, and south-eastern Europe, including the western USSR, not merely to "restore" them to film history but to reveal the complexity of the challenges they faced at a pivotal period in both cinematic and world history.

The two decades following World War I were tumultuous ones in European cinemas. This era of challenges affected all filmmakers, but especially pioneering women; not only the very few well-known directors like Germaine Dulac and Leni Riefenstahl, but also the women scriptwriters, editors, producers, costume and set designers, film critics, etc., whose contributions warrant research and recognition.
The women practitioners in this volume all persevered and made an impact on their industry and the field of their practice, only to "disappear" from history.

This volume is a project of reclamation of "lost" pioneers, as well as a challenge to the hierarchies of canons and pantheons that have tended to dominate cinema histories. Coupled to this aim of recovery is an intervention in ongoing debates on the marginalisation and peripherality of Eastern and Southeastern Europe as geopolitical and cultural spaces.

Denise J. Youngblood is Professor Emerita of Russian, Soviet, and East European history at the University of Vermont, USA, specialising in the socio-cultural history of Russian and Soviet cinema, focusing on popular films and reception.

Gábor Gergely is Associate Professor of Film at the University of Lincoln, UK, where he works on Central and Eastern European cinema's ideological, aesthetic and technological entanglements with a globalized screen culture.