This edited volume places the work of Spanish and Latin American female artists in, between, and across genres, media, spaces, identities, disciplines, and worlds. Its aim is to curate a series of interconnected studies on women artists across diverse media, and to position and redefine our understanding of female authorship. This is a timely intervention both in and beyond the fields of Hispanic Studies and Film and Cultural Studies, given the continued lack of visibility and persistent inequities experienced by individuals who identify as women.

Fiona Noble is a Lecturer in Spanish and Latin American Studies at the University of Stirling, Scotland. Her monograph, Subversive Spanish Cinema: The Politics of Performance (2020), analyses the prevalence of performance, in its myriad forms, in post-Franco Spanish cinema. She has published on representations of children, migrants, and performers in contemporary Spanish cinema and is currently researching intersections between voice and feminism in television and streaming.

Nadia Albaladejo García is an Irish Research Scholar and holds a PhD from University College Cork. Her PhD focused on the intermedial interventions of artist Remedios Varo. Her most recent publication is a chapter entitled ‘Recreating the place of home in Remedios Varo’s La creación de las aves’ in Art, Borders and Belonging: On Home and Migration (2021).